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The tuning tube generates
an overtone series in response to the sounds around it. Low sounds stimulate
the fundamental of the tube which is based on its length. Higher sounds
stimulate higher overtones. Noise is rejected. In this way sounds are reduced
to the harmonic ratios of the overtone series, noise becomes harmony. This
harmony is picked up by a microphone placed at a harmonic node within the
tube. The result is like a digeridu played by a city, a shifting chanting
sound which organically changes with whatever is going on around it. People
tend to find listening to the harmonically altered city noise less fatiguing,
even meditative. The emotional landscape is altered. What you hear changes
what you see.
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